Irrelevant ??
when you love a thing and you are very interested , quality is the matter, why they are remastering then ?? to high quality ??
strange?
so if the remaining 80 % are not your buisness then its again only your egoism ?? think like "i don't give a shit about others copyright , my house first then let die the others" so its about your rights not about the copyright himself ??" right
I'm sure they are not greedy, that you that send me this mail, i will wrote a letter to ask to them directly, i have in my website 10 peoples interested in buying the dvd " they don't knew quay's existence ?? like me when my english teacher gives me ( a copy not bought!!! of their work, that i wait to buy ...)
free of charge ?? i have given 3'30 of free material from a longer dvd , that other people are waiting to buy the dvd I think it's like i have paid for 6 copy and yes giving 3'30 to sell i don't know how much time is 6 dvd yes it's help!!! what great artist ego can say "i need help of no one" except the beattles when they were younger than today ( oups !! i have pirated the beattles copyright !!! oups!! no it was michael jackson or sony music copyright !! you see nonsense...
in what way my use is exploitation ???
so if you are producer on the short films
never heard of " the brothers quay collection" published by kino video and released by zeitgest movies ??
but like i said i will go to the nearest store when your dvd comes out..
i am pleased to talk about this with you so even if the video is removed "perhaps i will up it elswhere"
but i want to keep in touch with you even if you are exhausted ..
best regards
ps: like you i suppose i keep a copy of this conversation, so if i meet in a animation seminary brothers quay i could argue with them if there is a denial about this fact even if you are closer.
( i will not give your name or something, just discuss about the way it is )
again tanks for the contact
McSpigot wrote:
> "answer about the fact youtube is bad quality video"
>
> I ignored this because it's an irrelevant red herring, as it has nothing to do with the legal issues. In any case, circulating poor-quality video copies is arguably insulting to the Quays - particularly this year, as they've spent a huge amount of time supervising the remastering of their work to the highest possible technical standards.
>
> "do you have noticed as well all quays video on youtube"
>
> Again, this is irrelevant, as it doesn't provide any kind of legal defence. In any case, you were far from the only person we sent a message to - and as a result the amount of authentic Quay material on YouTube has been massively reduced over the last couple of weeks. The only difference is that everyone else removed the videos voluntarily, whereas it looks as though you're going to have to be forced to.
>
> "and all video which are copyrighted on youtube i mean 80 % besides their are plenty of other sites such daily motion and others besides i can upload a flv to pakistan and embed with my own player"
>
> So what? The fact is that YOU (and a handful of other people) were caught infringing the copyright of the organisation I represent and the contents of the DVD that I produced. The remaining 80% isn't my concern.
>
> "the problem with the industry its that they act like mafia, people are responsible and do not abuse like putting a 3, 3O minutes video then you awoke the militant in me and you make things worse i bought my dvd i pay money .. now i will stop putting money among artist ( i am one and when one of my work is promoted i am very happy for the recognition) do you remember the metallica vs napster ?? all bad for greedy artist."
>
> This is ridiculous. I know the Quays pretty well by now, and they don't remotely fit this "greedy artist" stereotype. In fact, if you don't believe me, buy the DVD and watch the last few minutes of the interview on disc two, which concludes with them saying that life has become incredibly tough for them because the commissions they used to get just aren't happening any more. In fact, you don't even need to do that - just look at their filmography between 1985 and 1995 and compare it with the amount of work that they've been able to complete in the last ten years. (The biggest budget they ever had for one of their shorts was for Street of Crocodiles way back in 1986!)
>
> As for "the problem with the industry", it's one thing to complain about monolithic corporate giants, but quite another to complain about independent organisations like Koninck, which is a three-man operation: the Quays themselves and their producer Keith Griffiths. And such tiny firms really do suffer when people like you decide to pirate their work and circulate it free of charge. And it's especially galling when you then turn round and claim that you're "helping".
>
> In any case, who is truly "acting like mafia" - the person who chooses to disregard the law (indeed, who seems proud to be defying it), or the person who merely seeks to protect their legitimate rights in the face of illegal exploitation? I think the answer's pretty obvious.
>
> "and the problem is i don't know if except for have been a former producer of this dvd you have still links to this work"
>
> My links are as follows:
>
> 1. I'm the producer (not the 'former producer') of QUAY BROTHERS - THE SHORT FILMS 1979-2003, which is being released in Britain in mid-November and in France and the US in early 2007. I see that you're based in France, which I'm sure ED Distribution in Paris would be interested to hear about, as they've just bought all the French rights to this title.
>
> 2. I'm a current full-time employee of the British Film Institute, which is representing Koninck Studios as the agent for the world rights to the films included on the DVD, which includes 'Are We Still Married?'. If you don't believe me, I'll happily pass your details on to our legal department, but I suspect that's not the kind of proof you'd welcome.
>
> 3. My e-mail address ends in bfi.org.uk - as YouTube will discover as soon as I press 'Send' on the formal copyright infringement notice that I drafted earlier today. I've also invited them to ring me through the BFI switchboard if they need to discuss this any further (though I don't think they will, as there's not much to dispute about this particular case!)
>
> I haven't sent it yet - but I'm perilously close. And if the video isn't removed within 30 minutes of you reading this latest message, the next one I send will be to copyright@youtube.com. My patience is now exhausted.
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